Savvy's Miscellaneous

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March 2012

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Songs I was exposed to when I was "too young."

When I was about seven years old, my step-sister moved in with my parents, my brother and I. The downer was that, after a few months of having the sweet freedom of my own bedroom, I was made to share my room with her for a little over a year. The upside to this was that, since my step-sister is about 7 years older than me, she was at that point a teenager, and my close living with her exposed me to music that I would have otherwise not known about for years.

Technically, I was probably not in the slightest bit old enough or mature enough for the themes in the videos I was exposed to at that age, but I’m glad that I was exposed to them so young—my unformed mind wasn’t judging things based on a lifetime of ideology. Instead, I was enjoying a completely different sonic aesthetic than I had been accustomed to, and engaging some interesting counter-culture. For example:

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Mar 12, 20123 notes
#music #nostalgia #nirvana #Nine Inch Nails #Soundgarden
Local music, good music

I semi-recently went to see a new band for the first time; I’m connected to the band by one of my best friends in the world, who is in a relationship with the bass player. As a result of an awesome performance, I made sure to pick up their CD “for home use” so to speak, and I’m very glad I did.

The band’s name is the band in Heaven; they’re a West Palm Beach, FL-based shoegaze/dreampop band, and though their CD is much shorter than I wish (and probably well-advisedly minus their very, very good cover of The Cranberries), it is amazing. Admittedly, my knowledge of shoegaze and dreampop is not very extensive, but I like to believe that I know quality music when I hear it. To my uneducated ears, the band in Heaven reminds me of my favorite qualities in songs I love by Yeah Yeah Yeahs, the Von Bondies, and Sonic Youth. Their music has a high degree of technical expertise, while still being powerfully elemental; there’s high, driving energy, without the mania that sometimes ends up as the by-product.

For example, Sleazy Dreams, the first track on the album, dives right into a maelstrom of color; dreamy, indistinct vocals contrast with heavy guitar, bass and wonderfully dense and layered percussion. The breakdown in the song goes into an almost Willy Wonka-esque moment of spinning confusion and dissonance, before a “day in the life”-like several beats, and then back into the hurricane.

Sludgy Dreams, the CD’s end-cap and counter-point to Sleazy Dreams, saps some of the tense, muscling energy away in favor of richer tones, more deliberate rhythm; the song feels as though it goes on for much longer, in a good way—the sort of song that, if you listened to it while intoxicated, you would think has been on in the background for months, years—and you’re only just now able to appreciate it.

Summer Bummer, the third track, comes the closest to a “manic” feel of any of the songs on the CD—it has a feel like a train thundering down the tracks, into a tunnel (complete with eerie echoes and reverb); the rhythm section avoids the manic feel that the song could end up with the kind of measured, careful precision that I’m coming to believe (after two live shows and several listens to the CD) is one of the band’s defining characteristics.

If you’re interested in seeing what I mean, you should absolutely check them out here: http://thebandinheaven.bandcamp.com/album/hozac-7  You can buy the album there, as well.

You can also find them on Facebook: http://www.facebook.com/thebandinheaven 

And, if you live in Austin, they are playing multiple shows during SXSW this year, so definitely see about checking them out there, too.

Mar 4, 2012
#local #scene #sundays
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